There is a pinhead size loss to near outer left edge, center, in background. The drawing itself is otherwise unrestored Descriptions provided in both printed and on-line catalogue formats do not include condition reports. Eau-forte sur papier. Quelques restes de montage au verso, filet de marges. Condition Report: Descriptions provided in both printed and on-line catalogue formats do not include condition reports. L'immagine, infatti, replica un particolare dell'Adorazione dei pastori affrescata nel dal pittore nella testata della galleria di Alessandro VII Chigi nel Palazzo del Quirinale a Roma.
Condition Report: 1. Portrait - set within a cloth covered mat and framed; not examined out of frame; affixed within frame presumably with small tape mounts verso ; fine overall condition. Procession - good condition apart from small loss to sheet near top edge at upper center and with vertical now flattened out crease in center of the sheet. Sheet is laid down to backing paper.
Condition Report: Provenance is from private collectio Glasgow and prior to that private collection in Rome Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including without limitation its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an ''as is'' basis but the actual condition of the lot may not be as good as indicated by its outward appearance.
In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer. Note: Possibly a study for a depiction of the Virgin lamenting at the foot of the cross.
Provenance: Nathaniel Hone Lugt Oil on Canvas. Size: 30 x 25 inches. Francesco Guarino or Guarini or was an Italian painter of the Baroque period, active mainly in Irpinia, and in other areas of the Kingdom of Naples, chiefly Campania, Apulia, and Molise. He was a pupil first of his father, Giovanni Tommaso Guarino, before moving to Naples to work in the studio of Massimo Stanzione.
In Naples, like many of his contemporaries there, he was influenced by the style of Caravaggio. In his selection of models who appear to have been plucked from the streets of Naples, he recalls the style of Bernardo Cavallino, the fellow-pupil of Stanzioni. Size: Provenance: Ex collection of H. There are some very minor blemishes to the lower edge of the sheet and some minor toning to the sheet throughout.
The drawing remains in otherwise very fine condition throughout, with the combination of media fresh and vibrant and the image strong. Sold in a decorative, carved and giltwood frame.
Mi sento la testa violentemente rovesciata all'indietro, sento i capelli tesi sulla mia fronte come se qualcuno me li strappasse Cambridge Mass. Ha la faccia graffiata e sanguinante. Folio x mm. Eravamo appiattate in un fosso, coi ginocchi nell'acqua, le teste chine sotto a un folto di rovi che ci laceravano il viso e le mani — udivamo da lontano il furioso galoppo degli ulani. Perizia no.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report.
Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. Pair of copperplates on paper. Zwei Kupferstiche auf Papier. Description: oil on canvas. New York, NY , simonparkes msn. This work is in beautiful condition. It has not been recently restored and would benefit from some attention. The canvas has a thin old lining.
The paint layer remains stable and even. A few tiny dots of retouching can be seen under ultraviolet light, and very few retouches would be revealed if and when the picture is cleaned. There is no noticeable abrasion or weakness to the paint layer. The independent reports contained in this document are provided for prospective bidders' information only and without warranty by Sotheby's or the Seller. Entourage de Carlo Maratta.
Ecole italienne. The style is very reminiscent of the work of Carlo Maratta , and likely dates to to Da un punto di vista compositivo la Madonna con in braccio il Bambino, affiancata da un santo, sul recto, rimanda invece alla tela facente parte dell'arredo della chiesa di Santa Maria in Montesanto a Roma. Description: Carlo Maratta -attributed, Madonna with child in front of open dark curtain with view to a landscape; oil on canvas, framed. Black and white chalk on blue laid paper.
Ex-collection Claudio Argentieri Lugt supplement b, lower left recto. Inscribed "" in ink, lower right recto, and inscribed "N Collezione Santo Vanni" in ink, lower left recto. Bartsch 2 x Black chalk and pencil on light tan laid paper. Description: Acquaforte. TIB Commentary , 47,I, Bellini Maratta , Nell'immagine in basso a sinistra "Dominicus Ciampellus pinxit S.
Gregorio" e a destra "Carolus Maratus delineavit et Sculp: Cum. Condition Report: In generally good overall condition apart from some apparent minor retouch just above parts of bottom edge at left and at lower left edge; minute paint losses largely in parts of upper background. There is a brass plaque bearing the name Caravaggio affixed directly on the front of the painting below the figure. Description: Carlo Maratta -attributed, Maria with child oil on canvas framed. Description: Red chalk heightened with white chalk on light blue paper.
Condition Report: Painting is relined; there are many areas of restoration and retouch. These restored areas include: restoration to parts of landscape and sky in upper portion of canvas, mostly, but not limited to, an L-shaped area at upper left, approx.
There is a repaired apparent tear approx. There is restoration and retouched areas to Antiope and to cupid, and restoration in the area between the two figures. There is heavy restoration to part of Antiope's upper right arm. Al verso: Studi di volto di bambino. Matita rossa e rialzi a matita bianca. Condition Report: - period picture with pronounced craquleur cupping and small spots of flaking- paint surface unstable with minor losses, particularly below Venus' hand- the stretcher line is slightly visible- overvarnished recently, presumably to hold the paint- Good ori.
Description: Portrait of a bearded man with a shield oil on canvas, 67by52cm. The present painting is the work of an Italian artist active as a follower of Carlo Maratta.
The work depicts the Adoration of the Shepherds and is derived from an original fresco by Maratta painted for the Palazzo del Quirinale in Rome. The present work is in reverse, which indicates that it was taken from a print rather than from the original. The work appears in a good overall condition considering its age.
The canvas is laid down on a modern board.
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The varnish is dark and chilled in parts, the paint surface is thin in some areas. Inspection under UV light reveals scattered areas of retouching and restoration throughout the canvas, but especially affecting the vertical edges and the lower parts of the depiction.